Views from the Bottom: A Review of The Grand Canyon by Tom Blagden Jr.

Take in the glory of The Grand Canyon from home with this beautifully-shot coffee table book by Tom Blagden Jr.

| Spring 2019

grand-canyon-cover
Photo courtesy Rizzoli Publications.

People who know the Grand Canyon well agree that there are in fact two canyons: the one seen from the top, a lifeless, abstract tableau, and the one experienced intimately at the bottom. The typical rim visitor, one of six million per year, stays from five to seven hours and spends an average of 17 minutes looking at the abyss. River runners, conversely, take it in every waking minute, 100 to 200 hours, depending on the duration of their trip. That’s a lot of time to contemplate the succession of eons and our insignificance measured against them. Literally and figuratively, the river perspective immerses you.

You weather furnace or greenhouse temperatures, except in the rapids or under cascades that turn your lips blue. You face sand in your lasagna and sleeping bag, rocks hot as a frying pan or sharp as a cheese grater, gusts that upset dinner tables or take paint off a dory, the canyon’s wooden signature boat ... You also might spot blooming cactus gardens and columbines, pink rattlers, submarine-shaped, endangered humpback chubs, white pelicans, or bighorn ewes with lambs bending necks for a late afternoon drink as you drift lazily past.

Timed to this park’s centennial, and following their 2018 photo book by a canyon through-hiker, Rizzoli just released The Grand Canyon, by the veteran, official photographer of one of its oldest river outfits, which may be the next best thing to being “down there.” The foreword by dory boatman and history professor Roderick Nash, author of the environmental classic Wilderness and the American Mind, puts the 175 color photos into their proper context. National parks and designated wilderness areas were “an original American contribution to world civilization.”



Recalling the scheme to build dams inside the Grand Canyon, Nash reminds us that, had it not been for stalwart defenders and public opinion, “almost every point of view Tom Blagden used for his photography in this book would be hundreds of feet under the water of a reservoir.” The canyon, however, remains threatened—by uranium mining and resort development on adjacent lands, by invasive species, South Rim traffic snarls, and beach erosion downstream of Glen Canyon Dam, by coal plant emissions, and by noise from sightseeing flights.

Coffee table books almost by definition embrace the Attenborough-ization of Nature. Who wants to display atrocities in their living room? We seek refuge in such idealizations, as we do in documentaries that show wildlife and untrammeled landscapes enduring. The Grand Canyon, seemingly protected, intact, assures us of the better angels of our nature — hence its symbolic importance.



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